The perspective on disability the film brought was, I thought, excellent. It explicitly included reference to the impact Professor Hawking’s impairment had on his life and the people around him. From a practical view it showed the adjustments the Hawkings had to make in their lives, and the importance of good support that came from a range of different people.
Most satisfyingly, the film clearly captures the fact that Professor Hawking realised his ambitions and what he was capable of irrespective of the barriers – physical, attitudinal, practical – that could have prevented this.
This is perhaps best demonstrated in the sequence following his pneumonia in Bordeaux. A doctor proposes a tracheotomy, meaning Professor Hawking will not be able to speak; feeling that Professor Hawking may not survive a journey back home the doctor asks Jane Hawking to consider ending her husband’s life. Jane refuses and instead finds a way that means Professor Hawking can communicate in a different way. Eventually, of course, he speaks using a synthesized voice – something probably as closely associated with him as black holes.
Without necessarily recognising it, A Theory of Everything provides one of the best representations of the Social Model of Disability I can remember seeing.
(From a film point of view, I think Eddie Redmayne as Stephen Hawking and Felicity Jones as Jane Hawking are fantastic. If the Best Actor awards are a straight fight between Redmayne and Benedict Cumberbatch (for his role as Alan Turing in The Imitation Game) then Redmayne should win hands down. Put simply: Redmayne is Hawking, whereas Cumberbatch is Cumberbatch being Turing.)
Update: The Washington Post shares similar thoughts regarding the film’s portrayal of disability (via @angelamatthews4)